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Mar 06, Korri marked it as to-read Shelves: gender , queer , beauty , body , sexuality , theatre , fashion , paused. Burning bushes, yes; flaming queens, no.
Nov 03, Jeff rated it it was amazing. This is an academic yet highly accessible cultural history of cross-dressing.
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Highly recommended. May 07, Brendan Shea rated it it was amazing. There are no discussion topics on this book yet. About Laurence Senelick.
The Changing Room: Sex, Drag and Theatre
Laurence Senelick. He is also a professional actor, director, and translator who has staged Laurence Senelick is Fletcher Professor of Drama and Oratory at Tufts University and a recipient of the George Jean Nathan Prize for dramatic criticism.
He is also a professional actor, director, and translator who has staged a number of American premieres. Books by Laurence Senelick.
The Changing Room: Sex, Drag and Theatre - Semantic Scholar
Trivia About The Changing Room No trivia or quizzes yet. London: Routledge, ; pp.
An exceedingly ambitious addition to the dynamic and innovative Routledge series Gender in Performance , Lawrence Senelick's most current and comprehensive investigation of sex, drag, and theatre is astonishing not only for the fantastic amount of historical information it contains, but also for its authoritative examination of theatrical transvestism as a vigorously time-honored cultural and political phenomenon.
Senelick suggests in his acknowledgements that the present volume was conceived nearly twenty years ago when gender studies were in their infancy and articles inquiring into "the origins of male impersonation seemed marginal at best, suspect at worst" xiv.
No longer suspect, but inspiring a glut of scholarship from both traditional and more marginal camps, studies of transvestism in literature and performance have become such theoretical and critical commonplaces that too often the subject's more lucid, material foundations are obscured. Not so in Senelick's The Changing Room.
Written as a sort of cultural and historiographic reclamation of the inherent connection between cross-dressing and theatrical performance, the present volume is overflowing with exceedingly well-researched examples of the pervasiveness of theatrical transvestism from its earliest shamanic and divine purposes through its twentieth century manifestations as an "effective weapon in the arsenal of the artist of outrage" With clever, tongue-in-cheek chapter titles such as "Skirting Christ" 56 , "Orientations" 77 , "Breeches birth" , and "Sex, drags, and rock 'n' roll" , The Changing Room exhaustively covers historical ground that has been, comparatively, only casually explored in previous works on the subject.
Senelick begins by detailing the divine origins of transvestism in the gender transformative rites of shamans. He examines the popular if problematic appeal of the boy player up through the Regency period in England, and follows with several chapters that probe both the sociocultural and practical justifications for trading transvestite youths for be-breeched young women with the advent of actresses on the European stage.
From the fetishized, leggy allure of the principal boy, to the female impersonator's purveyance of Progressive era standards of feminine beauty, Senelick meticulously chronicles both the origins and affects of cross-dressing in its theatrical as well as pedestrian forms. Lavishly illustrated with unusual and rare pictures, this is the first ever cross-cultural study of theatrical transvestism. It is a must for anyone interested in cross-dressing, theatre, and gender.
The Changing Room The answers to these questions — and much, much more — are to be found in The Changing Room , which traces the origins and variations of Other formats.
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